Episode 16

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Published on:

27th Nov 2025

From Italy With Love: Insights And Reflections From Our Reggio Emilia Study Tour

“You go there to learn about children — but you come back remembering who you are, and why you do what you do.”

  Harriet, Early Years Educator at Atelier

In this very special episode of Atelier Talks, we’re reflecting on our recent team study trip to Reggio Emilia, Italy: the city that inspires so much of our practice and pedagogy here at Atelier. Clare & Laura are joined by Harriet and Rosie, two of our incredible team members who have walked the cobbled streets of Reggio and returned home enriched by the experience.

Together we explore what it feels like to immerse yourself in a global community of educators and return with a renewed sense of energy and inspiration for your early years practice.

Whether you’ve visited Reggio yourself, or are simply curious about what it really means to be Reggio-inspired in a UK nursery setting, you’ll finish this episode brimming with ideas.

In this episode::

  • What it’s like to step inside the Loris Malaguzzi Centre for the first time
  • Reflections from the infant-toddler centres and what it’s like to observe learning in action
  • Why Reggio’s approach is as much about values and culture as it is about methods
  • Real stories of international connections and cross-cultural dialogue between educators
  • What intelligent setups and environments that speak really look like
  • How our team are already transforming their spaces with the “Reggio lens”
  • What we learned about process over product, and the radical power of respect
  • The ripple effect of deep learning and why we believe study tours grow entire teams, not just individuals
  • Standing on the shoulders of giants

The thinking behind Atelier's pedagogy draws deeply from the Reggio Emilia philosophy and wider foundational theorists. This episode references the work of:

  • Loris Malaguzzi – founder of the Reggio Emilia approach and the concept of the hundred languages of children
  • Reggio Children & the Loris Malaguzzi Centre – for inspiring our architectural, social, and relational design thinking
  • The Reggio Atelieristas – for reimagining creativity, representation and research in early childhood

Find out more:

Find out more:

Website and newsletter: ateliernursery.co.uk

Instagram: @ateliernurseryltd

Consultancy enquiries: Contact us via our website

Together, we’ll unlock the potential for incredible growth and learning.


Atelier Talks is a Decibelle Creative original podcast

Proudly produced by Decibelle Creative – decibellecreative.com / @decibelle_creative


Keywords: Reggio Emilia UK, early years study trip, Reggio Children, Loris Malaguzzi Centre, early years inspiration, international early childhood education, Reggio philosophy, early years leadership, environment as third teacher, hundred languages, process over product, atelierista, reflective practice EYFS, intelligent environments, emotionally intelligent early years, early years consultancy UK

Transcript
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>> Clare: Welcome to Atelier Talks, the Early Years

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Collective.

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>> Clare: This is the podcast brought to you.

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>> Clare: By the Atelier Nursery team, exploring the art and

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science of early years education. We're here to

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share knowledge and insights from our unique

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research led approach. So if you're passionate

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about early years education, you're in the right

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place. Let's find out what's in store for you on

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today's episode.

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>> Clare: Hello and welcome to Atelier Talks. Today we're

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very excited to be bringing you a special episode

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recorded directly from our nursery and bath, where

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we're joined by the lovely Rosie and Harriet.

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>> Rosie & Harriet: Hello.

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>> Clare: And coming to us as well, we've got Laura, who's

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joining us from Chippenham as well.

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>> Laura: Hello.

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>> Clare: So we've asked Laura to join us today to give us

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the insight of the educational platforms that's

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happening at her Chippenham nursery. But we've got

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Harriet and Raisie joining us today because they

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are freshly back from a study tour in Reggio

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Emilia. So thank you, Harriet, for joining us.

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Even though you're probably slightly exhausted and

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slightly overwhelmed with all of the learning

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you've got going on, I'm excited. And then, Rosie,

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you went to Reggio, was it, two years ago?

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>> Rosie: Yeah, two and a half years ago. April 2023. So,

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yeah, it was amazing. not quite as fresh in my

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head as Harriet, but definitely got the core

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memories of what an incredible experience. It was

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brilliant.

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>> Clare: And since that time, Rosie you've kind of grown in

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your roles and your responsibilities at Tilio, So

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you were a deputy when you first went to Reggio

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and you're now one of our managers, so you're kind

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of leading that provision and that Reggio

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experience that our children have here at Tilio.

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>> Rosie: Yeah, absolutely. It's really exciting having more

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people from the team slowly joining and going to

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Regio as well, and kind of building on the,

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knowledge that we have really as a whole staff

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team.

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>> Clare: So, Harriet, take us then, for our listeners who

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might not have been to Reggio, some of them might

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have been to Reggio many times. Take us to that

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very first moment when you arrived in Reggio

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Emilia. What were your first thoughts, your first

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impressions when you kind of stepped into that

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city that's just immersed in children's learning?

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>> Harriet: I think from the get go, you can feel how special

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it is. Like, especially when we were on our way on

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our first day. Like, you can feel the excitement

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of everyone there who's there with you for the

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study tour, but also all the Italian professionals

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who are there and they're just so passionate and

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it's just contagious, that kind of passion and

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excitement and you can really feel there's

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something special there in the town. Like it's

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just really focused, on, children. But the value

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of children. It has a particular culture.

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>> Clare: We were talking, weren't we, Rosie? Just as this,

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podcast started. And I think, Harriet, it's a

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really lovely way in which you summarise that up,

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that particular culture of children. Rosie did you

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have that same experience? Because you were going

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with Annabelle at the time, weren't you, who was

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one of our, senior staff in Chippenham. And so we

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were looking at that cross pollination across

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sites. And Harriet, you went as well with a member

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of our Chippenham team and Beth, who's one of our

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leadership team. So did you have those same kind

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of feelings when you walked into that city?

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>> Rosie: Oh, absolutely. I think Harriet summed up really

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well. There's that whole community which kind of

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all has that shared excitement and love for

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children and Reggio, Regio philosophy there. And

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you can sense that straight away. And just being

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in such a big learning community of over a

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thousand people as well, from all around the world

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is so exciting to be part of that.

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>> Harriet: Yeah. Because everyone's there for that same

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reason. They want to learn, they're really excited

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and it just feels really special. Yeah.

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>> Clare: So when you close your eyes and you think about

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that first morning of the study tour, and I

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thought what was brilliant was we set up this

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like, little WhatsApp group, didn't we, before

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they all left? And there was great excitement

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coming in from Mia about how she was feeling

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around it. Ah. And Beth was kind of, she was

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organising a little bit and making sure everybody

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was at the meeting point at all of the right time.

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But when you kind of take yourself back in, what

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was that, that kind of, that emotional reaction to

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what was happening? Was there like a moment that

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really stood out for you for that very first time?

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>> Harriet: I think when I first walked into the conference

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centre, because it's the Loris Malaguzzi Centre, I

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think I was amazed by the space in general because

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it's such a beautiful centre. And then when you

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walk into the auditorium and you've just got that

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buzzing of everyone, that was just the thing that

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I was like, oh, I'm really here, I'm really doing

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it. And, I just can't wait to do it. It was like,

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it was just so.

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>> Clare: Exciting because you both separately, obviously on

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different years, applied for the opportunity. So

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looking I guess, kind of looking back, because we

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posed that question to the team almost a year in

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advance about who would like to go. And, one of

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the things that we do atelier is we don't just

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kind of make that assumption for people that

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they'd enjoy it because not only is it a week away

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from home and their families, you know, it's quite

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an intense experience. You know, there's lectures

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that start from about 9:00 clock and run until 4,

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4:30. you're in and out of the infant toddler

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centres. There's learning opportunities that take

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place into the evenings. that. It's a.

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>> Clare: Isn't.

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>> Clare: It's a brilliant thing, but it's a. It's a long

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and intense day, isn't it?

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>> Harriet: I was feeling nervous before, like, just the. That

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feeling of, strangely, just whether you're going

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to be able to cope with it, even though you are

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excited. But it almost dissolved as soon as I

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walked into the lecture hall. It was just so

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buzzing that I was like, oh, no, I'm here, I'm

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going to learn. I'm so excited. So, yeah, it was

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great.

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>> Rosie: I think it's quite reassuring being with people

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that are, like minded in a way, because you know

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that you're all there for the same reason. You all

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care hugely about children, about pedagogy, so

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you're in the right place, even though it's

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somewhere new and alien to you.

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>> Harriet: Yeah. And that Reggio, itself is so unique,

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really, and special that even though. Even when.

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If you'd met people who'd been there before and.

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Or from settings who have been Reggio media for a

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long time. But you also meet people who have never

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heard of the approach until that year or have

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never been before, who have only just started

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implementing it into their settings. And then I

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met people who were just there for, their own

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personal. They wanted to learn as a homeschooling

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parent or just to better their understanding

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because they worked in a museum with children. So

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it was like, lovely to see you. Just felt all in

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the same boat anyway, so all my nerves, everything

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just dissolved. I think it's a great place to go,

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even if you are nervous.

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>> Clare: I think it's something. I loved what you said

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there, Harriet, is that bit about sometimes we

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have to come out of that comfort zone. And that

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bit about actually remembering that learning can

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be really magical, but can also be quite. It can

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be quite daunting. It can, you know, can provoke

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lots of different emotion in us. And I think for

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those of you, or for those of us that are

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listening who haven't ever been to Reggio before,

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you know, when you first walk in, everybody within

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the town knows about the Loris Malaguzzi Centre

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because it's such a central point of everything

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they're doing. And so you almost feel like a real

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sense of privilege, don't you, that you're there

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and you're walking in and they've got this

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beautiful kind of spiral, staircase that goes down

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and out from the front and the greens that sit out

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the side. And you kind of see everybody arriving

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and everybody's got their matching tape bags and

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their journals and everyone's kind of ready for it

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and you walk in and raise it. Take us through when

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you first walk through those doors, because it's

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quite. It's quite a sensational building in its

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own right, isn't it?

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>> Rosie: It's a stunning space architecturally. and you get

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to go in, I think for the first day we had a

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little look around all the. That's kind of like

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mini ateliers and, and really kind of creative

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spaces that are quite inspiring around the Loris

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Malaguzzi Centre. And then they've got a really,

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really gorgeous gift shop full of really well

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curated, beautiful books and they've got the

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textbooks all about Reggio, but lots of amazing

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children's books as well. So we just kept looking

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in there, obviously. Spending money.

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>> Clare: Yeah, spend a lot of money. Yeah.

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>> Rosie: So definitely, if anyone goes, bring your own

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money to spend in that lovely gift shop. But,

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yeah, it's just really inspiring. And then you've

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got the lovely 100 languages poem kind of on a big

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installation in the centre, which is just

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beautiful. So we all had our picture there

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excitedly. And then you go into the actual kind of

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lecture hall. Is that the word? And it's just

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huge. It's just bigger than anything I'd

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experienced before. When I was at uni. It was sort

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of like 200 people maybe in a lecture, tops. But

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it was 1,500 people and they'd have a microphone

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to kind of talk to different people. And. Yeah,

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obviously, yeah, the main speakers have

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microphones as well. So you're just so aware.

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Aware of what a huge, well, opportunity is, but

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also the amount of people there. It's crazy.

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>> Clare: So what did it feel like when you think about. You

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know, I know when I. My last study tool, There

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was, yeah, 1500 people. I think there were 48

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different languages spoken amongst all of those

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that were attending. So for me, not only was the

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learning I was having from ratio so overwhelmingly

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exciting and fabulous because we were immersed in

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everything that we believe in and everything that

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we want to kind of achieve. But it was also that

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international community. So it was, you know, our

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colleagues from New Zealand or our colleagues

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from, America, or our colleagues coming in from

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Europe or, you know, in from Asia, and this whole

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mix and diverse community where so many educators

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are working within different restraints with

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different curriculums from a different political

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kind of pathway. Did you. Did you manage to have

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any of that engagement with any of your other

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colleagues there, or was it.

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>> Harriet: Yeah, I managed to actually, because at the start,

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it's like Rosie said, they have. They got everyone

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to stand up and read out all the different

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countries and there was like a huge welcome. So

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immediately you kind of felt connected to

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everyone, even if they were from the other side of

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the world. you felt connected and in the same

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boat. So. And it was quite good because you got to

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split off into different workshops and different

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tours. So I ended up getting to chat to, lots of

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different people from loads of different places.

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And it was really nice to be. You find, no matter

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what the setting, you know, and all different

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curriculum, like. You said, you still had those

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same. Values and you were all there for the same

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reason. But it was super interesting to see. Where

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everyone was working from. there's lots of people

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from New York, some people from Korea. Everywhere

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that I spoke to, it was really insightful to get a

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glimpse of how they were working. And we. And we

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would talk about what we learned that day, what we

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were going to take back to our settings. And. And

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they were all really interested in our setting,

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actually. And it was. It was really nice to feel

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really, really proud of where I work and say,

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well, yeah, actually we do this. And, so it was

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really nice to connect with. It's such a huge

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variety. But like I say, it's. You found that you

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had more in common than you had, different, no

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matter what.

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>> Clare: I think it's really interesting because I met a

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completely, round of me. I'll be really honest, I

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was feeling a bit grouch. It was like on day four,

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I was already a bit exhausted, quite tired, and

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ended up. We were on the buses and we were heading

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out, and when we went, we weren't able to see the

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settings in situ with children. So that was

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something they changed for the first time since

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COVID this year for you guys. and so it was kind

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of at the end of the day, we got to do our school

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tours after all of the Lectures had happened and

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the schools had actually been closed for the day

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and I was sat next to this lady on the bus and she

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must have, like, she must have tried to sense my.

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My kind of childishness and she was trying to chat

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to me and she just sort of said, oh, you know,

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where. Where are you from? So I said, oh, atelier.

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And she kind of looked at me, she went, oh, no,

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no, no, where, where are you from? Thinking I

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meant the ateliers, in the infant toddler centres.

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And I said, oh, no, we've got a nursery in Bath

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and one in Wiltshire. We're called Atelier. She

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just sort of fixed I seem to follow you on

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Instagram. And then she pulled up our Instagram

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page and she was like, I knew I did. You've got

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the pottery wheels and, and you had the baby on

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the sewing machine. And I was like, yeah, that's

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her. And we kind of got chatting on this shared

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bit and now she's actually one of the people that

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I kind of follow all the time. She was working at

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an international school in Asia and she's now

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moved, actually she's in Vietnam now. But even

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those connections, past those bits and, you know,

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we met a really lovely Rachel who was in,

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Australia when I happened to go back to Milan at

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the weekend for lots of different other reasons

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apart from studying. and I remember her sort of

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saying, oh, when you're, when you're in Meiji,

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when you come back, because we have to fly home by

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Milan, just, you know, make sure you go down, onto

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the canals and all of those kinds of memories and

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those connections of the people that, you know, I

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met the year before will kind of come back. It's a

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special place. It's a special place for building

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relationships.

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>> Rosie: Absolutely.

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>> Rosie: We, we're really lucky, actually. Myself and

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Annabelle, we met some friends pretty much

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straight away and they were.

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>> Speaker D: A group of other women.

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>> Rosie: One, well, one was a manager, from the uk. Well,

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they're all from the uk, actually. With her,

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practitioner with her. And then we had a couple of

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early years lecturers from Wales, and a primary

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school teacher as well. So all British are really

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lovely women. And I think we were just all got on

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so well, went to dinner every night together after

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the lectures and schools. Yeah.

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>> Rosie: So it was really full on socially for me. But it

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was so nice just to have those people kind of

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bounce ideas off all the time, really, and

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reflect. And they were the same. They were really

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kind of impressed with what we do at atelier,

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wanted to come and look around. They still

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haven't, actually, but exactly. So, yeah, it's

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really nice to kind of still have those people as

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contacts as well.

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>> Clare: What about you, Laura? So you've had the lovely

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Mia come bouncing back with absolute energy into

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your nursery this week. Have you seen that kind of

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impact from her in terms of her learning and the

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opportunity that she had?

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>> Laura: Absolutely, yeah. It's. It's almost. It's

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immediate, isn't it? That absolute, like you were

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talking about, that excitement, that passion, it's

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contagious. And as soon as Mia stepped, she came

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into my office this morning, she went, babes, I'm,

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back. And she just got out her notebook and she

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was like, look at all of this. This is what I've

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learned. This is what I've been. And she was just

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so proud to show me everything that she'd learned.

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She was like, look how many notes I've taken. And

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then I've literally spotted her all day, sat there

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with her notebook and she's, like, flicking

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through things, making notes, really, then

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applying it to, her practise back in our nursery.

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And it's just lovely to see her then starting to

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disseminate that through to other staff on the

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nursery floor, and share the things that she's

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learned. and I loved her sending the pictures

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while she was there as well. She kept sending me

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photos. I'm like, it's just stunning. It's so

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beautiful. I can't believe it. And it just gives

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you that, I suppose, that excitement and that kind

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of drive to want to make, it as beautiful as we

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can and to really kind of represent our kind of

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Reggio, influence in our nurseries in a really

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meaningful way. and, yeah, she's just come back

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full of ideas, full of energy, so excited to make

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it, you know, as a Reggio inspired as you can be.

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so it's, it's such a. An amazing opportunity for

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them to. To kind of have a look at where it came

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from and really understand the depth and the real

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reason behind it. And then to come back and be

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able to then apply that to, our context, our

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setting, where we are and then start to, introduce

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new ideas. It's beautiful.

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>> Clare: I think that depth law is really, really important

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because it's one of those words when, you know, I

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know I felt it when I was going around the Infant

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Toddler Centre, but also visitors, when they come

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into our nursery and they're almost. There is

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almost a sense of surprise when they can see

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actually the depth of children's thinking and how

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the children are really working at such a level

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when. And I'm really in awe, Harriet, that you

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managed to get to go into the infant, toddler

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centres with children present, because we miss

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that. But actually, was there a moment when you

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went around that centre, that you kind of saw that

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depth of thinking, that kind of like you had that

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wow moment or that goosey bumps moment where you

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kind of see that interaction and those. That

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learning taking place, I guess, between staff and

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children or children and children?

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>> Harriet: Yeah, I think I felt it the whole way round. I was

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very, very emotional. It was such a beautiful

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setting, the one I went to. And, it had multiple

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ages and I felt it the entire time. I felt so

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emotional at how beautiful a space and the

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learning could be. And all the children were so

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engaged. And there was one room in the preschool,

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area, so it was around 2, 3 year olds there. And,

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they'd built this huge, intricate building of,

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blocks, but it was all balanced on like two

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cylindrical blocks. And then these really young

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children, 2 and 3, were building it up and, there

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was. These staff in the room were just super

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engaged with the area they were, they were at. But

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these children just kept going and they, the staff

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were capturing it on a big camera. And just the

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interactions between them and how those children

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were fully, fully viewed as like, completely

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competent as directors, as architects and they

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could build it themselves. And you could see when

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the child had. Because I sat there and watched on

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the stage and tried to stay out of the way. But

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when the children, you could see, they kind of

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came across an issue like they couldn't do

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something correctly. The adult was just there

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enough to help them solve the problem, but help

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them get to the solution themselves. And that just

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comes from really, really, I think, just listening

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and watching and being there in the moment with

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the children that you can see what they need. And

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I found that really like touching, but it existed

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in every room. I went round to the other larger

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space with age 4 and 5, I think children, and they

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were just so engaged and so busy, but seeing what

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they were doing. They were doing these intricate

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little drawings and then cutting them out and then

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sticking them on something else and doing it all

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with an adult present. But it was just such an

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exchange. Like it was just the way they were

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learning was completely based on their

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interactions with the materials, the environment,

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with the adults around them. And it was just, it

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was beautiful to watch. And then up on the stage

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there was a beautiful little girl painting this

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wonderful thing on the wall with a projector and

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then there's also a clay table going on in the

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same space. And it was all so busy, but just so.

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Like, just such a beautiful exchange of, of ideas

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and learning between the adults and children.

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>> Clare: And you describe it beautifully.

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>> Harriet: I got very, very emotional, Kiran. Like, I think I

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was gonna cry.

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>> Clare: I think as an educationalist, when you, when

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you're able to really immerse yourself into

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somebody else's work and see the impact on those

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children and the impact on those children's

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learning, it is emotional and I think it's

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brilliant to be able to, to share that. And you

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know, you dialogue that so clearly and so

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articulately because it is, It's a really emotive

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setting to be within.

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>> Harriet: Yeah.

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>> Clare: And I think when you're. You're kind of

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triangulating all of the knowledge, all of the

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research, all of the, all of the, all of the

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training and the qualifications that we hold, but

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then actually you reframe it and you're. You're

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almost looking at it through the child's eyes,

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through the pedagogue's eyes, through the parents

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eyes, in a completely different setting, in a

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completely different country with different

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curricula that they're needing to follow. But

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actually seeing the value and the value of

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education and actually that whole relationship

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basis between everybody within that setting. You

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know, the va. You used that word earlier. The

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values that everybody is bringing. How was it for

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you, Rosie? Because did you have that real click

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of emotion kind of going through?

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>> Rosie: Yeah, absolutely. I think I, in the same way kind

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of envy Harriet a lot just from being there to see

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the interaction with the children. So it was the

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same for me. It was in the evening. So a lot of it

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was about the environment for me, and hearing the

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way, the teachers, and pedagogy studies were

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talking about the children and the pedagogy. But I

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think that was really, really kind of emotive and

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beautiful to hear on its own because you're just

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hearing people talk about children in such high

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regard as they should be spoken about. But for us

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over here in the uk, with our government, and kind

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of general attitudes to child care, to education,

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especially in the early years, it's really, really

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refreshing just to hear that love, and real

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inspiration for respect. And respect, yeah, for

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the children, because we know how amazing our

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children are and all children are, but

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unfortunately it doesn't feel like everyone does.

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So just being over there and hearing that from

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people that are so skilled and you know, at the

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forefront of education. They know exactly what

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they're talking about and they're saying all the

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right things, which we fully kind of align with M

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in terms of our views.

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>> Harriet: They don't place value on an outcome. Their

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interactions with the children aren't to get the

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children to an outcome. And I've, because I feel

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like in the UK and in different places it's always

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focused on, you know, children are the adults of

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the future and they will provide value in the

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future and this interaction, this project will get

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this outcome. And it's like they just place

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children. Exactly. They place value on the

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children in that present moment as having value,

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as having as people who can create culture and

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create things. And, and they just put such value

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on the process. And it was just, it was wonderful

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to be reminded of that because I think, I think

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most people who work with children align with a

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lot of those values and it's just amazing to be

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reconnected with that within yourself and be

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reminded.

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>> Clare: Because the ateliers are actually described as

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places where those ideas take form. So I think for

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me, when we were kind of entering this, and you

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use that lovely word osis and that, that reach

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between the indoors and the outdoors. And we were

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so fortunate on our last study tour, that we got

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to go to three different settings. and one of them

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had a purpose built outdoor indoor space that was

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just glass roof, glass walls and all of them could

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move, all of them could slide open. So the, the

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design and the architecture and the thought behind

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each of the spaces is really quite amazing. But I

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think it, those spaces that are there to create

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imagination and actually to be completely free in

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those children's thinking and where and whichever

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direction they want to take. And I remember going

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through one of the ateliers and there was an X ray

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machine from an airport. And I was just like, is

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that really an X ray machine? And so the pedagogue

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kind of came across and he opened the doors and he

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said yes. And you know, and the children go here

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and you know, they're really, really fascinated by

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this project that they were doing around X raying

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and how it kind of worked and how they were then X

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ra all of these different objects and they were

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creating sculpture with inside the X ray machine

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and then taking the X rays off them and then

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bringing the sculpt, the X rays out to then use as

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part of their artwork. And, and were there any of

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those like oh my gosh moments for you? Because I

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had never Ever thought. I thought my thinking was

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really wide. I thought our resourcing was really,

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really rich. But we haven't got an airport X ray

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machine in our nursery, as I'm sure many haven't.

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But were there any of those kinds of real wow

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moments for you as you encountered those ateliers?

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>> Harriet: Oh yeah, massively. I think again I was, I thought

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I had a well stocked area and then when I walked

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in, same thing. It was like the open shelving and

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how they have just every material you can think of

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but it's all laid out and with these little things

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that have clearly been inspiring to the children

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are there with lighting and things. So it's all,

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it looks quite jumbled but in like the best way.

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It's, it's very, very inspiring. But I think for

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me the biggest one was in the atelier of, of this

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Diana preschool I went to. they had this wonderful

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stop motion set up that was all completely child

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led and you were watching these really young

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children, I think four or five it was, and they

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were constructing this stop motion animation. But

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they bought things from home. So they had little

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toys from home, but they had elements of the

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nature from the garden and from everywhere. They

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had these things they'd made. So they had clay

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figures there and then they were using string and

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they were creating like telling this little story.

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But they were all working together, all four of

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them and they would take turns just completely

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organically, operating the stop motion and then

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doing the puppetry. And then alongside the

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atelier, Ristor was there to help them in that

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process and help solve those little problems they

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couldn't do themselves but was just scaffolding

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what they were already doing. And that was amazing

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to see and super inspiring because I used to do

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that when I was younger. So it felt like a huge

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like pull through. I wanted to learn.

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>> Clare: Yeah, it's amazing when you kind of, when you're

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there we have a range of teams, teaching teams

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within the preschools and the infant toddler

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centres. And then they have that, that lovely word

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atelierista. So the atelieristas work with smaller

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groups of children and really focus on that

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thinking. So when you're watching the work of

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those ateliers, was there anything there that kind

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of influenced your thinking about your role now as

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an adult, as a researcher, as a listener, as a co

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constructor?

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>> Harriet: Yeah, absolutely. I think the, I suppose it's a

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more in general what I took away from the whole

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experience, the lectures and watching those

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amazing adults was really viewing how. Viewing

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myself in terms of how the children view me. So

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they call it like looking at yourself through,

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through the eyes of others. And it is just. I

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think I took away how children's learning is

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entirely based on interaction and immersion. And

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so watching them interact so specially, it really

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inspired me to remember about all those little

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moments and how being really slow, really in the

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moment with that child and just focusing on that

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interaction, even if it's only those couple of

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minutes, how much impact that that has. And, yeah,

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just viewing them as completely competent and

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learning from them as much as they're learning

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from me.

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>> Clare: Because we have the most amazing Emily, don't we?

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So we have, a range of creative practitioners and

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educators. We have our resident artists and then

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we have Emily Husarista. And, I had a bit of a

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magical moment with Emily in your nursery

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yesterday, Laura. So it was Laura's day off

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yesterday, so I was leading practise in Chippenham

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and Emily had joined the studio team and she was

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talking to them about their observations of the

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children and they were naming all of these kinds

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of very small projects that were taking place for

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the children. And Emily wasn't having any of it.

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She was like she was them to go much, much deeper

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in their thinking. And I was kind of in, Laura's

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office and I was just kind of eavesdropping and

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hearing kind of some of that challenging and some

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of that questioning. and I think it's a really,

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really valid point, isn't it? It's about that

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perception and through the eyes of others and

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actually what were the opportunities that were

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being offered? Were they at that depth? Were the

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children really being respected as autonomous

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thinkers and autonomous learners within their own

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right and actually really capable learners? And it

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was a brilliant planning session. There was so

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much kind of challenge and confronto really kind

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of taking place. And in the afternoon I came down

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and there was Emily on the floor. Everything else

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cleared away, the whole floor covered in huge

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reels of white paper and just beautiful setups,

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that were just there. And I think it was that bit

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about really immersing the children within the

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environment so the environment will then lead the

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learning. And when I saw that really taking place

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yesterday was absolutely beautiful. And Rosie, you

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talked about it earlier when we were kind of

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preparing for today, and you talked about it as

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that kind of project being posed as a question and

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the livingness, and that was exactly what I saw

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happening in Chippenham yesterday, was the way

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that Emily had brought objects and opportunities

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into one space just to provoke that new thinking

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and that new learning. Is that something that as

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managers raising law, you see? And I know, I know

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when we talk about it as a leadership team, we're

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always kind of pushing the team to be. To be the

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best they can be and to offer the widest

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opportunity and the richest of environments they

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can be. How do you manage that with your teams

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practically in terms of the materials? How are you

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supporting staff and your team to really think

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about how the materials are speaking to children?

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As Harriet kind of was talking about observing

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those atuniosters working, I'm thinking like the

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clays and the receivers.

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>> Laura: Yeah. So, one of the big things that we've always

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kind of taken inspiration from from Reggio Emelia

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is the whole idea of the hundred languages and

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children really being able to explore, and create

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and imagine through so many different, methods. So

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for example, clay, paper, paint, charcoals,

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chalks. So for, for me as a manager, it's really

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important that our, our rooms are well resourced,

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well stocked, and also getting the educators to

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see the resource as unlimited. So not kind of

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thinking, oh my goodness, they've nearly used the

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whole of the red paint. Actually, if there's

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meaning, if there's purpose, if, there's something

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that that child is creating that needs the red

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paint, it's about inspiring that child. And you

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know, I felt really emotional listening to Harriet

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talk about kind of viewing yourself through the

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eyes of the child. And actually what does it mean

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if someone's telling me to stop doing that or that

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I don't need that much red paint? How does that

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feel for me as a, As a child when the person I'm

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kind of wanting to be alongside me and facilitate

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my learning is kind of stopping me. So I think

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it's so important that that interaction is so,

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geared towards what that child needs and what

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they're telling you they need, rather than it

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being you leading that and kind of limiting the

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resource. and I think as well, it's just making

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sure that the staff have the opportunity to play

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and to explore as well and to actually enjoy

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working with the clay. And it not just being kind

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of a, part of their. What they're doing, it's

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actually them being in that moment with the child,

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immersing themselves as well and seeing it as a,

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as an opportunity for them to learn and explore as

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much as it is for the child.

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>> Rosie: M. I think that part in particular is what I was

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going to agree on.

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>> Laura: Laura.

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>> Rosie: I think just Having permission to kind of feel

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like we as practitioners can sit and play and

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interact with these materials and really enjoy it

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because that's really important for the children

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to see us, us actually engaging with these

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materials in a creative way as well. so, yeah,

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just really kind of trying to role model that

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because I feel like it's important for me to have

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those moments of joy with the children just as it

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should be for all of our staff team. and we can't

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expect our children to be creative interacting

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with these different materials if we can't kind of

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role model that ourselves and really enjoy it.

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>> Clare: So there sounds like. And we knew there would be.

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That's why we keep going back year after year. So,

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how you must have been our 1, 2, 3, 4, 5, 6, 7, 8,

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9, 10 member of staff, which is special award for

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that. Yeah. to go to Reggie this year. And I think

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for us it's around check. It might even be more

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than that because I'd forgotten me, I'd forgotten

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Christina and marriage. I think you might be. So

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within that, you know, was that we knew it was

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going to be magical, we knew it was going to be

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wonderful, we knew it was going to be

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inspirational, we knew it was going to be emotive.

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Was there anything that kind of challenged your

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thinking that you didn't expect?

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>> Harriet: Lots of things because I, I went with a very open

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mind, I thought anyway. But then you find that

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it's opened even more and you realise like there

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was no boundaries anyway. so I think there was

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things that, that challenged me, especially the

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looking at myself through the eyes of others. And

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it was. We were watching videos on the babies and

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how they take their baby spaces and how they

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interact with them. And I think the main thing for

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me that made me really think was often we hear the

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term, like child centred and we think yes, the

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child is at the centre of my practise and my room

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and we all have that view. But then I realised

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that through this learning, through these lectures

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and this experience that my view had become quite

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narrow. And yes, it was child centred. I was

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really focused on the child, but a lot of my

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observations were so focused on the child that I

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almost didn't have a wider lens on my interactions

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with the child in that moment. So it really

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highlighted for me that yes, you can have a really

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child centred approach and observation and play

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with the child but. But you're still looking at it

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from your eyes instead of a super wide lens on

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what's going on in general and who, who else the

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children are interacting with, how, how they've

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come and sat on your lap at a certain point or

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certain. Or you've reached to grab that for them,

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or you've expanded, they've been interested in

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something, so you've gone, you've scaffolded that

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and, and grabbed a similar object so they can

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compare the difference and things like that. And.

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But. But that entire process for them is

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interaction. And it just highlighted that you can

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observe the child in a narrow mind in a narrow

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way, instead of having that wide lens on how the

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child is interacting as a whole with you as the

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observer and the environment. And, it just

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highlighted that for me how it can be so much more

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open than even, you know, even with the same

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intention, it can be so much more open and free.

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>> Speaker D: Make me go, go.

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>> Clare: I think it's. I think it's such a powerful study

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tool to participate on. And, you know, you're.

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You're just at the beginning of your reflections.

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You know, I thought it was brilliant that, you

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know, this morning was your first day back in at

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nursery since.

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>> Harriet: I know. And I'm on a podcast and you're.

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>> Clare: On a podcast this afternoon and hadn't been pre

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worn, so that's kind of like, you know, you really

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have taken it on for us this week. So thank you.

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But I think it is, you know, it's so powerful.

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Isn't it amazing when you kind of, you know, when

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we hear from our team, you know, combine that with

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our own experiences. You know, it's not a cheap

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study tool to participate in. It's, you know, it's

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a real investment in terms of the team. But when

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you hear, you come back with such powerful

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reflections and such powerful observations of not

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just like, you say, the children and the

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children's learning or the environment, but

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actually your practise. yeah, you know, that's,

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that's really. It's just huge. I haven't even got

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enough words to describe it, but you really have

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genuinely made me goosey. So thank you, Harriet.

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And I think, I guess again, back to you, Rosie and

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Laura. You know, as leaders of your teams, you

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know, you've got this team now who we're. We're

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gradually, and we're slowly getting all the way

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across to Italy. We've got, What have we got? Five

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staff, I think, on one of Hayley Peacock's new

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study tools in terms of, you know, they're setting

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that, really use and embed the Reggio, influences

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within their practise and kind of learning from

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some of the work they're doing. But that

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challenging of thought is also really important.

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You know, it can be a challenge of thought. And

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one of the conversations that Laura and I were

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having earlier, Laura was around, you know, how do

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we balance that project led learning with that

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high level of quality of care and that, you know,

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that absolute, for what's really important for us

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at atelier, that embedded relationship as a key

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person and that key person approach. And so it was

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lovely to kind of think about that from the baby's

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perspective, because I know Laura, that's

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something you're kind of really challenging and

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thinking about for your team. and within the

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training that you and Emma are doing with the

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Hayley Peacock was just that kind of, you know,

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how do we get that balance of care, of education,

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of documentation, of relationship, of encounters

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between all of those children and what does their

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day really look like? It's always something to be

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thinking about, isn't there? So I guess, Rosie,

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from you, is there something that, you know, two

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years down the line you've kind of still held

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onto, or you're still thinking now, having kind of

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spoken to Eva, Mary and Christina as they came

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back last year, and Harriet and Mia and Beth as

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they've come back today, you know, is there

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something you're kind of going, oh, my gosh,

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actually, yeah, there was that bit I loved the way

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when you were chatting and you went, I love the

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bathrooms too. You know, was there anything like

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really so many straightforward that you take

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forward, so many things?

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>> Rosie: I think just really simply the way they were

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talking about setups and how they needed to be

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intelligent in the way that they were kind of

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considered, but sort of thinking outside the box

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as well. Not just kind of putting out something

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quite simple, but kind of thinking about that

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creative learning and all the places it could go.

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So kind of thinking intelligently in that way.

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And, One of the things that surprised me actually

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and made me think quite a lot was similar to what

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you and Laura were talking about earlier in terms

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of pushing the staff team for that kind of deeper,

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learning and deeper, meaning in terms of projects.

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But it was one of the, teachers in Reggio kind of

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pushing one of the children to challenge

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themselves more. I think they were trying to draw.

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They said they wanted to draw a picture of a scary

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dog. And she was saying, that doesn't look very

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scary to me. I wonder how we could make it more

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scary. You know, how could you do this? And she

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was really pushing the child. And it surprised us

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a little bit watching it. And we thought, oh, you

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know, considering yourself as quite a gentle

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practitioner, one that wouldn't usually push

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children that much. But actually she was being so

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ambitious for her child and she knew that they

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could really draw something incredible that told

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that story that they wanted to tell. So I think

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kind of, yeah, challenging the staff, but also the

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children to be the best they can be, really.

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>> Clare: I think for us all, isn't it? It's about that,

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unwavering commitment to what we want to achieve.

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And we started this academic year agreeing that we

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weren't going to try and take over the world, and

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that the political landscape was going to be

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challenging enough. And so what we really want to

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do is do everything that we do to the best it can

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be done. And I think you're absolutely right,

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Rosie, is that self challenge and the challenging

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within those relationships that we hold with our

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children or relationship we hold within our

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parents. I'm really thinking about that depth of

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engagement, the depth of documentation, the depth

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of thinking that we're promoting with our

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children, with our environment. Yeah, I'm really

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excited for this year. I know we're like a quarter

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of the way through, but I do think, I do think

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this is, I genuinely think this is the stepping

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stone. This is the next stepping stone for what

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will be next for atelier. And actually what are we

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now? I've forgotten how many years old we are. 12,

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12, 13 years in. It's probably, it's probably a

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good time to have a consolidation. Yeah. And

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actually really take that time to just talk and

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really reflect and have those confrontes around

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it.

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>> Speaker D: Absolutely.

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>> Clare: So when we start really thinking about that

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evolution of education and where this all started

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with Malaguzzi, right at the end, of the Second

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World War. And we look at 2025, the day before

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budget day, you know, a huge politically changing

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landscape for early years. We've got, the rollout

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of the school nursery agenda, we've got the

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rollout of the breakfast clubs, we've got the

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rollout three months in now of the 30 hours

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extended childcare offer for working families from

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nine months. That rolls off the tongue nicely. you

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know, how are we going to hold Fat Fisher? Because

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I think for me that was what felt so important

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when we say about this being our consolidation

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year. You know, I am all for growth, I am all for

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parents being able to access high quality care and

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education. But how do we hold those visions and

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values? How do we make it say that all of those

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interactions make us goosey. What's it going to

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look like for atelier?

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>> Harriet: I think that's interesting you say that because I

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was. One of the main things I took away from

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Reggio was how it was. I like how you focus on

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your own back garden before you go out and do

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anything else. And I think the way they can do it,

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the way they built it, is just through

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participation and community. And I think if we

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really just focus on the everyday and our

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connections with our, parents, with the just local

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community and really like, really just connect and

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foster those relationships in our environment, I

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think the rest will flow naturally when it can.

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that's something I mainly really like, just really

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took away was the participation of everybody.

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Like, they see the parents as not just parents of

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the children, but parents of the school and

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parents of the setting and citizens in a city. And

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I think that's. That was really powerful for me to

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focus on my room and my nursery and my children in

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the day. But, just. And our connection to the

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local community, I think is the most powerful

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thing we can foster.

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>> Rosie: M. Maisie I think that a lot of it hopefully comes

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quite naturally to us and our ethos, but it's

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quite simple. Just those real, true core beliefs

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and m. Respect, love children, to be independent,

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to have autonomy. These things that kind of are

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very embedded, I'd like to think, in our practise.

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But I think sometimes it is just kind of reminding

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ourselves how we. How highly we, view our

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children, really. But I think as long as we have

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that everything else should follow. And yeah, like

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you say, our relationships with. With our parents,

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our community. but yeah, so the kind of simple

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things are almost the most inspiring as well. I

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think over there.

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>> Clare: It's funny, I think it's that really, you know,

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there's that thing we always kind of say in the

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leadership team. It's, you know, pay attention to

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that and it is. Sometimes I think it is those bits

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where we can walk past the everyday and we can

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walk past what we call the back to basics. But

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actually, those are the things that we need to pay

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the attention to. And actually all of those

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interactions, you know, we. Our children should

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have gloriously beautiful bathrooms and our

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children should have gloriously beautiful sleep

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spaces to rest within. And actually the pencil

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should always be sharpened and the paper should

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always be cut. And I think it is about those whys,

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isn't it? And really pulling back that. Paying

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attention to things, because actually those will

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be the things those Absolute, tiny, tiny details

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will make the difference for those children as

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they come into our settings and to our learning.

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And I love that participation, you know, whether

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it's the family festival or whether it's the

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exhibition or whether it's the theatre trip or

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whether it's, you know, the reconnect days. But

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what actually do we do on an everyday basis for

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our families to participate within their

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children's nursery and, for our children to

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participate within their city? And what does that

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really look like?

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>> Rosie: Definitely. We were talking as well about kind of

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feeling special, going to visit the infant toddler

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centres in the schools. And it's like the little

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things that make you feel special. Special, like

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having the lovely fruit platters and the cheese,

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and things like that. But it's kind of like all

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those special things we do for our children and

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our families in our environments to make them feel

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a real sense of belonging and like, you know,

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they're just happy and engaged to be here. not

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that we might have fruit patters every day.

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>> Clare: But we should be having some. I think it's. It

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isn't. It's that valid point, isn't it? You know,

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when you walk in the door.

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>> Harriet: Yeah.

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>> Clare: How does atelier feel exactly? You know, we want

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our children to feel like it's a home from home.

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So actually, how do we now extend that to their

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wider family and to our staff team? You know, our

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staff team are working incredibly hard 10 hours a

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day. I mean, they get a lunch break in the middle,

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nine and a quarter hours of the day, but, you

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know, they're here four days of the week. We're

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spending more hours together as an educating team

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than we are with those that we're choosing to be

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with at home. And so actually, how do we make it a

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place that is responsive? How do we make it a

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place that, supports that participation on every

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level?

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>> Harriet: I think it's.

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>> Clare: Yeah, there's. There's always lots to think about.

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And I think when you go on those study tours,

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we're experiencing environments and we're, you

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know, we're experiencing a really established, way

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of working. So there's so much for us to take

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forward with. So I guess, Laura, I'm going to ask

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you on behalf of Mia, Ah, what have you seen ready

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from her in terms of those seeds that are being

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planted that she might be taking.

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>> Speaker D: Forward within your setting?

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>> Laura: The first and most beautiful thing is already

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seeing her really looking at her setups already,

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so really starting to think about, the real

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purpose of it. really why she's setting that up,

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how that then can support the children's learning,

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but also starting to explain that to other

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educators in her space. So why she's done it and

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why she's made it to look a certain way. So I

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think that's beautiful to see that already she's

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kind of taking what she's learned and putting that

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into practise. And I think as well, I've already

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seen a massive change in her, sort of respect for

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the environment. And I think we were also aware

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that the environment was the third teacher. But I

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think when you've been to Reggio and you've seen

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it in action and you've seen the beauty of the

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spaces and you've seen the real, sort of, I

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suppose, the real focus they put on that

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environment. Environment. She's already starting

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to really look at how she can. Can manipulate her

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environment to make it even more exciting and

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special for the children. And I think that's just

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gonna. And I keep coming back to the word that,

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Harriet used, but the contagious nature of it. And

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I think that people are just going to want to, you

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know, copy Mia and that contagion is going to

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spread and that passion and the. The knowledge is

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just going to kind of go throughout the whole team

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and it will ripple across. I'm really excited to

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see where Mia kind of takes the whole team in the

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next few months and, and what she puts into

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practise and kind of makes. Makes changes in the

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environment to see how it's going to work for our

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children.

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>> Rosie: So, so exciting.

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>> Clare: No, I have no doubt that Mia, is going to support

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that team, to really influence those environments

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and the materials that you're using and really

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support the ways in which we're listening to

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children. I think, you know, I have no doubt it's

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going to be quite magical over at Chippenhub. And

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here again, Harriet, I guess, you know, when you

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first applied for that opportunity to go to Reggio

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tour, you know, what was it that mattered to you

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then and what would it be now? You would say to

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some of your colleagues if they were thinking of

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applying, ready for next year? That's a good

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question.

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>> Harriet: I think then I just really had a drive to. Because

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I'd never heard of Reggio Emilia until I came

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here. So I had a real drive to just really immerse

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myself in that approach and where it came from and

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just really, really learn, and just the new

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experience and feel like, yeah, just like, I can

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go and do. Do this new, exciting thing. M. And I

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think now it's just. I didn't expect it to be such

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a grounding experience as it was, like, just

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reconnecting myself with, like, the purpose of

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what I'm doing and not only in those little ways

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every day and the setups of things, but, like, as

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a whole, like your values with working with

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children. And I just found it really grounding.

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Like, I felt like I was connected to the world and

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other people and, just had, like, such a strong

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sense of purpose when I came back. And I think I

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would tell others that absolutely they could do

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it. I think a lot of people worry that it might be

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too much or they wouldn't be able to follow or it

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might be too intense or they're not good enough

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for it, like to do the lectures and things. But I

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think I would just really, really encourage them

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because, you know, what you take from it will be

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so individual to each person, but it's just so

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valuable. So I think I would just encourage,

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encourage, encourage.

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>> Clare: Yeah, we need to. We need to. I don't know, we

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need to find a way to get everybody there

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together, don't we? Yeah, just close for a whole

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week and. Yeah. Have our own study tour and a

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Tilio study tour would be found. But no, I think.

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Harriet, thank you. Thank you for representing,

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you know, the Bath team. A big thank you, Samir

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and Chippenham for representing their team and for

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Beth as well, because I know, I have no doubt that

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what you'll bring back, and, you know, from our

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conversations just today, you're already hugely,

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emotionally. I don't know what the word. I can't

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even find the word. Inspiring. I just think, you

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know, it's. It's been a wonderful journey to see

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you take and we look forward to all of the. All of

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the developments to come under the depth of

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knowledge, the research and the documentation that

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I know will follow. So, Rosing, one last one for

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you. what about those questions that you kind of

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asked yourself when you were first there two years

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ago? Are there any of those questions that you

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still have now? Is there anything there that you

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are still holding or wanting to take forward or

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wanting to develop?

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>> Rosie: That's a really good question as well. I think

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it's hard because there's so many. That's so

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dynamic. There's so many questions throughout the

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whole week kind of ever changing. and I think your

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practise is always changing as well, especially

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for me, kind of stepping into the manager role.

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but I Guess it is just kind of thinking about how

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we can be really, really in tune with children,

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how we can listen to their voice and really kind

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of, of respect and represent them as much as

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possible and kind of how we can, I guess, work

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with our community, our local community, and kind

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of contribute. Contribute back to. To where we are

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as well. Because, remember, hearing in Reggio, you

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know, you can't transplant Reggio. You can't take

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it and put it here. It's all about our, local kind

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of context and our community as well. So kind of

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thinking about our ever changing nursery

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community, who we have, who our families are and

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our children, and just making it a, really special

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environment for them because it's always growing

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and changing, really.

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>> Clare: I just feel so inspired from talking to you both

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today and a big thank you to you, Laura, as well

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from joining us from Chippenham. because I think,

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you know, it really does cement my thinking about

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where Atelier is at and the culture, the culture

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that we have within our own setting, within our

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own communities, but also the research and the

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documentation that we want to take forward this

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year and also how we share that. You know, we know

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that what we're doing at Atelier is really, really

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special and we know that all of those influences

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that are coming through from Reggio and Shaping

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that, are second to none. And I think, you know,

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it really is that story of standing on the

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shoulders of giants. And I think today is the day

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that we say a huge than to the Reggie of children,

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to the Laura M Malaguzzi Centre, to all of those

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educators that have gone before us in terms of

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helping us to shape the lives of our children in

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Bath and in, Chippenham. And, yeah, let's give it

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a real good shot because we think, you know, we've

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got so much where we keep thinking is against us,

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but actually, now's our time, I think, really to

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embrace and to hold onto and to retain those

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values, to make. To make Atelier magical. A really

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big thank you from me for Rosie and Harriet and

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Laura for joining us today. We hope for, you as

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our listeners, that's given you a little insight

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into the learning that's taken place on the study

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tours and the impact that that's had on our

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practise here at Tillier. If you'd like to learn

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more about the work that we do or if you'd like to

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come on a professional development day to see how

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that's put into practise here at Tinier, please

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don't hesitate. To get in touch. Thank you for

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joining us and we look forward to seeing you soon.

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Thank you. Thanks.

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>> Clare: Thank you for joining us for Atelier Talks. If you

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enjoyed this episode, don't forget to subscribe,

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share and leave us a review. It really helps us to

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reach more educators, parents and early as

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professionals just like you. For more insights

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into our unique research led approach, or to find

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out more about our services at both the nursery or

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the consultancy and how we can help you in your

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early years practise, visit our website or follow

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us on social media. All the details you need to

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find us, are in the show notes. In the meantime,

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it's goodbye from us. Thank you for joining us. We

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look forward to seeing you next time for another

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episode episode of Atelier Talks.

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>> Clare: Thanks for listening.

Show artwork for Atelier Talks

About the Podcast

Atelier Talks
A podcast for educators by educators. Exploring child-led learning. Unpacking the magic of outstanding Early Years practice at Atelier. Nursery.
Atelier Talks is a podcast for educators who want to deepen their understanding of outstanding Early Years education. Hosted by the expert team behind the award-winning Atelier Nursery, join Clare, Beth, Lauren and Laura to explore the magic of Atelier, unpacking their real-life Early Years practice rooted in Reggio Emilia, Froebelian principles, and child-led learning.

From free-flow and mixed-age provision to creating inspiring learning environments, each episode offers valuable insights to support child development, professional growth, and Early Years practice. Whether you're a nursery practitioner, manager, consultant, or parent curious about progressive Early Years approaches, you'll find inspiration and practical strategies to apply in your own setting.

Step inside a truly unique nursery with the most passionate team you'll ever meet - and discover how principles become practice, where children thrive and educators grow.

This is the podcast that puts principles into practice and brings research to life, to hit subscribe and come and discover the fine line between chaos and cosmos that defines the outstanding Early Years practice at Atelier Nursery.

Atelier Talks is a Decibelle Creative original podcast.